The Devil is leaving his Cave Jem Southam Williams’s narrative images reflect the

Williams’s narrative images reflect the many forms in which Black queer people exist and have existed historically within each other’s lives

which concentrated on an area in the central Veneto

Her images display intimate family scenes – cosily paired bodies

Il comprend une traduction de l’essai de Shoair Mavlian

and then the sequence snaps

The Devil is leaving his Cave Jem Southam Williams’s narrative images reflect theIn 1991, Wendy Ewald was invited to conduct photography classes for Maya, Ladino, and Tzotzil children living in Chiapas, the southernmost province of Mexico. The sponsoring organization was the Maya writers cooperative, Sna Jtz ibajom (The House of the Writers). While cameras and camcorders were hardly novelties in Chiapas, they were generally used by tourists whose picture taking reinforced their own cultural biases. Ewald did not take pictures;